Wow, that's a long title. Sure, they're all "Harry Potter and the x", but the "Part 1" somehow sends it over the edge.
Anyway, great movie. One of the best in the series. Goblet is still my favorite, but this might be runner-up.
I was skeptical about making it into a two-parter. The whole idea just screams, "Our cash cow is ending, how can we extend the franchise?" But I have to say, I really enjoyed the pacing. Unlike some of the others in the series, it didn't feel like they were rushing through, desperate to squeeze in all the events of the book. It actually makes me wish some of the others had been two-parters. The movie did lag at one point, but it was at a point where the book lagged too. (Or maybe I just don't like camping.)
They covered a lot more ground than I thought they would. There were several times when an important scene would happen, and I would think, "Annnnnd... credits." And then the movie would just keep going. In fact, it probably ended a full hour after the first time I thought it was going to end. But this does not mean it was an overly long movie. It is long, as are all the HP movies, but it's a good kind of long. Seriously, I saw the midnight showing, and it's usually hard for me to stay awake for those. But Deathly Hallows had my unwavering attention all the way through. And when it did finally end, it really was a perfect spot. It really left us wanting more. (...and needing to pee.)
I'm pretty sure I've already said this in previous Harry Potter blogs, but it's pointless to review this movie. If you've seen the other six, you know you're going to see this one. Who sees the first six movies in a series and then just stops? If you haven't seen the others, then you should definitely catch up before buying a ticket to Deathly Hallows or you're just going to be lost. And even if you don't care about being lost, the dramatic parts are more meaningful if you're already in love with the characters. But pointless review or not, I give it two thumbs up. It's a must-see... if you've seen the others.
Now, a bit more detail for those who've already seen it (or at least read it)...
*Spoiler Space*
*Spoiler Space*
Of course this movie was the most depressing of the bunch. Everything is coming to a climax, people dying left and right, and of course it ends at one of the darkest moments of the story. However, most of the deaths so far have been presented in a somewhat tame way. Harry barely sheds a tear for Hedwig, and Moody's death is just a snatch of dialogue. However, it ends with the very dramatic death of Dobby the house elf. I think this was a good way of showing parents that from this point on, it's going to get very dark, so you might want to think about pre-screening Part 2 before taking your littlest ones.
I wasn't as touched as I should have been by Dobby's death scene. I've never liked him; to me he's the Potterverse's version of Jar Jar Binks. I don't understand how Star Wars gets so much flak for CGI slapstick, while Dobby is loved for basically the same thing. So I wasn't sorry to see him go. To quote Chandler Bing, "Yes, it was very sad when the artist stopped drawing the deer." But my heart isn't made of stone. Heck, I cried a little in the first few minutes of the movie, when Hermione had to erase her parents' memories.
The only part of the movie I really didn't like was when Ron became a jerk for a while. It made more sense in the book, but it happened way too quickly in the movie and didn't have enough context. But that's a tiny little nitpick when the rest of the movie is so good.
Friday, November 19, 2010
Tuesday, September 14, 2010
Metroid: Other M
I thought I wasn't going to get to play the new Metroid for while, because I just couldn't fit it in the entertainment budget for a couple of months. But then my friend Chris bought it for me. He's also the one who gave me his old X-Box 360 a while back, when he upgraded to a newer model. I kept meaning to thank him for that publicly, but never got around to it, so I'll do it now:
Never mind that we're polar opposites on every issue from politics to religion; that has no bearing on true friendship. Chris has always been something of a conversational sparring partner, but I've found I need that. People should challenge their beliefs now and then, else they run the risk of believing silly things for no other reason than they've always believed it. Besides, I love to debate, and I often get along better with people with whom I can argue. So I hearby grant Chris the honorable title "Greatest Of All The Living Individuals Currently Known, Especially Republicans" (actually that's a little wordy, maybe I'll just use the acronym "G.O.A.T.L.I.C.K.E.R." for short).
So anyway, Metroid: Other M. I'm not very far into this game, so this is more of a first impression than a full review.
I thought that this game was supposed to be reminiscent of the classic Metroid games, but it turns out it's something entirely new. The controls are not like any of the previous games, 2D or 3D. While the game is mostly third person, you can walk in all directions: left, right, towards or away from the camera. So even though the background doesn't rotate in third person mode, it feels like you're playing something like Mario 64. Some sections of the map are left/right, like classic Metroid, and some sections are forward/back, so so you find yourself staring at Samus's back as she runs forward. The level map is an overhead view of the level, unlike the 3D Metroids (where the entire map was 3D and went in all directions), and unlike the 2D Metroids (where the map was a left/right cross section and made you wonder if any part of the pirate fortress was more than 20 feet wide).
You can switch to first-person view any time you want, but you can't move around while in first-person, so it's mainly used when you're trying to find something in the room. That's also the only way to fire missiles or use the grapple beam. This makes some of the boss fights very difficult, since you have to keep switching back and forth. You'll use third person for running around and dodging the creature's attacks, then you'll switch to first person to lock on to the creature's weak points and fire your missiles. And of course you'll end up going back and forth like that several times before the boss dies. It can be quite disorienting.
The previous Metroid games were built around exploration, but this one feels more like an action game. While the older games had you generally taking out one or two enemies at a time, this one has you constantly getting surrounded by enemy swarms, and you have to shoot in every direction to take them out quickly. Your shots auto-aim at the enemy closest to the direction you're facing/pressing, so you don't have to aim upwards or anything if an enemy is flying. You also have some physical attacks when enemies get too close, so for the first time you're not just shooting at enemies. The available moves depend on the enemy; for example, one particular enemy can only be killed buy jumping on it's back and shooting it in the back of the head (a move that doesn't work on other creatures).
Some fights are pretty difficult. However, save points are frequent (so far), and sometimes when you die it will start you at a nearby check point. Enemies don't drop anything, so you have to rely on save points to fully recharge. You also have the ability to recharge your missiles (and some of your health, if it's low) any time you're not currently in battle. And even when you hit 0 hit points, you don't always die right away. The game sometimes gives you a chance to run to safety and do the recharge move, while your hit points fluctuate between 0 and 1. So if you can just avoid the monster's death blow, you might be able to get a second wind.
Exploration-wise, it's a lot more "on rails" than any Metroid game I've played so far. It feels most like Metroid Fusion: There's a guy in the command center who unlocks doors for you, and sends you messages telling you to check out a certain area. Samus technically starts will all the attachments she had at the end of Super Metroid, but isn't allowed to use them until they're unlocked by the same command guy. So it looks like the only things to find are additional missiles and energy tanks. Hidden items are marked on the map, so you know when there's something to find, but you still have to figure out how to get to it. Sometimes this involves going into first-person mode and moving your cross-hairs over every single pixel on the screen until you find the secret place where you can lock on.
The movie scenes are very well-done, and it looks like Samus is going to keep having flashbacks throughout the game that tell more of her childhood. That might not interest everybody, but I'm looking forward to learning more about Samus Aran. I've read that the flashbacks upset some fans, because it doesn't follow the continuity previously established by the comics and manga. However, I never liked the origin stories I'd previously read (they involved Samus being raised by the same Chozo creatures that left item-holding statues all over Zebes... give me a break), so I look forward to seeing what the story is now. I hope this one lets you play as Zero Suit Samus at some point, like in Zero Mission.
It also has a couple of elements that remind me of the "Survival Horror" genre. Like you'll come across a corpse (sadly not graphic or bloody, but what did you expect from Nintendo), and Samus will say something like, "What could have done this?" Then a few minutes later some creepy thing might burst through the wall and attack you. Or you might catch a glimpse of a strange-looking enemy through a window or on a monitor before you get to face it later. I've found one "instant death" scene so far. I was climbing up an elevator shaft, and had to stop when I reached the bottom of the elevator. Then a tough monster showed up below me and started climbing up towards me. I found a place I could shoot that made the elevator fall, killing us both instantly. The checkpoint started me out right before that room. This time I found an alcove to stand in before I shot the elevator release thing, killing just the monster and letting me climb farther up the shaft.
I'll say this - Though I'm having great fun, so far it hasn't wowed me. Other than the Metroid name, there really isn't much to write home about. It's like when you buy a game based on a movie, and it turns out to be just another generic shooter or beat-em-up, but you still like it anyway because it's cool to control your favorite character. I mean, sure, the Teenage Mutant Ninja Turtles arcade game was pretty much just Final Fight with a makeover, but it was still more fun cracking heads with a turtle. If they ever got around to making a Metroid movie, this is probably what the tie-in game would be like.
It feels like they tried to take Other M in too many directions at once. The action doesn't control quite well enough to compete with true action games; in fact it feels like some of the early attempts to make a 3D Contra game for the PS1. The exploration aspect feels like they tacked it on (Manager: "It's a Metroid game! You have to give them something to find!") I kind of wish they'd played up the Survival Horror angle - I've always wanted a good "Resident Evil in space" game, like "Project Firestart" for the Commodore 64.
But please don't think I'm not enjoying it. I'd rather play the worst Metroid game than the best game of any other series, and this is not the worst Metroid game. It has its flaws, but overall my biggest gripe is that I just can't find the time to play it.
Chris, you're awesome.
Never mind that we're polar opposites on every issue from politics to religion; that has no bearing on true friendship. Chris has always been something of a conversational sparring partner, but I've found I need that. People should challenge their beliefs now and then, else they run the risk of believing silly things for no other reason than they've always believed it. Besides, I love to debate, and I often get along better with people with whom I can argue. So I hearby grant Chris the honorable title "Greatest Of All The Living Individuals Currently Known, Especially Republicans" (actually that's a little wordy, maybe I'll just use the acronym "G.O.A.T.L.I.C.K.E.R." for short).
So anyway, Metroid: Other M. I'm not very far into this game, so this is more of a first impression than a full review.
I thought that this game was supposed to be reminiscent of the classic Metroid games, but it turns out it's something entirely new. The controls are not like any of the previous games, 2D or 3D. While the game is mostly third person, you can walk in all directions: left, right, towards or away from the camera. So even though the background doesn't rotate in third person mode, it feels like you're playing something like Mario 64. Some sections of the map are left/right, like classic Metroid, and some sections are forward/back, so so you find yourself staring at Samus's back as she runs forward. The level map is an overhead view of the level, unlike the 3D Metroids (where the entire map was 3D and went in all directions), and unlike the 2D Metroids (where the map was a left/right cross section and made you wonder if any part of the pirate fortress was more than 20 feet wide).
You can switch to first-person view any time you want, but you can't move around while in first-person, so it's mainly used when you're trying to find something in the room. That's also the only way to fire missiles or use the grapple beam. This makes some of the boss fights very difficult, since you have to keep switching back and forth. You'll use third person for running around and dodging the creature's attacks, then you'll switch to first person to lock on to the creature's weak points and fire your missiles. And of course you'll end up going back and forth like that several times before the boss dies. It can be quite disorienting.
The previous Metroid games were built around exploration, but this one feels more like an action game. While the older games had you generally taking out one or two enemies at a time, this one has you constantly getting surrounded by enemy swarms, and you have to shoot in every direction to take them out quickly. Your shots auto-aim at the enemy closest to the direction you're facing/pressing, so you don't have to aim upwards or anything if an enemy is flying. You also have some physical attacks when enemies get too close, so for the first time you're not just shooting at enemies. The available moves depend on the enemy; for example, one particular enemy can only be killed buy jumping on it's back and shooting it in the back of the head (a move that doesn't work on other creatures).
Some fights are pretty difficult. However, save points are frequent (so far), and sometimes when you die it will start you at a nearby check point. Enemies don't drop anything, so you have to rely on save points to fully recharge. You also have the ability to recharge your missiles (and some of your health, if it's low) any time you're not currently in battle. And even when you hit 0 hit points, you don't always die right away. The game sometimes gives you a chance to run to safety and do the recharge move, while your hit points fluctuate between 0 and 1. So if you can just avoid the monster's death blow, you might be able to get a second wind.
Exploration-wise, it's a lot more "on rails" than any Metroid game I've played so far. It feels most like Metroid Fusion: There's a guy in the command center who unlocks doors for you, and sends you messages telling you to check out a certain area. Samus technically starts will all the attachments she had at the end of Super Metroid, but isn't allowed to use them until they're unlocked by the same command guy. So it looks like the only things to find are additional missiles and energy tanks. Hidden items are marked on the map, so you know when there's something to find, but you still have to figure out how to get to it. Sometimes this involves going into first-person mode and moving your cross-hairs over every single pixel on the screen until you find the secret place where you can lock on.
The movie scenes are very well-done, and it looks like Samus is going to keep having flashbacks throughout the game that tell more of her childhood. That might not interest everybody, but I'm looking forward to learning more about Samus Aran. I've read that the flashbacks upset some fans, because it doesn't follow the continuity previously established by the comics and manga. However, I never liked the origin stories I'd previously read (they involved Samus being raised by the same Chozo creatures that left item-holding statues all over Zebes... give me a break), so I look forward to seeing what the story is now. I hope this one lets you play as Zero Suit Samus at some point, like in Zero Mission.
It also has a couple of elements that remind me of the "Survival Horror" genre. Like you'll come across a corpse (sadly not graphic or bloody, but what did you expect from Nintendo), and Samus will say something like, "What could have done this?" Then a few minutes later some creepy thing might burst through the wall and attack you. Or you might catch a glimpse of a strange-looking enemy through a window or on a monitor before you get to face it later. I've found one "instant death" scene so far. I was climbing up an elevator shaft, and had to stop when I reached the bottom of the elevator. Then a tough monster showed up below me and started climbing up towards me. I found a place I could shoot that made the elevator fall, killing us both instantly. The checkpoint started me out right before that room. This time I found an alcove to stand in before I shot the elevator release thing, killing just the monster and letting me climb farther up the shaft.
I'll say this - Though I'm having great fun, so far it hasn't wowed me. Other than the Metroid name, there really isn't much to write home about. It's like when you buy a game based on a movie, and it turns out to be just another generic shooter or beat-em-up, but you still like it anyway because it's cool to control your favorite character. I mean, sure, the Teenage Mutant Ninja Turtles arcade game was pretty much just Final Fight with a makeover, but it was still more fun cracking heads with a turtle. If they ever got around to making a Metroid movie, this is probably what the tie-in game would be like.
It feels like they tried to take Other M in too many directions at once. The action doesn't control quite well enough to compete with true action games; in fact it feels like some of the early attempts to make a 3D Contra game for the PS1. The exploration aspect feels like they tacked it on (Manager: "It's a Metroid game! You have to give them something to find!") I kind of wish they'd played up the Survival Horror angle - I've always wanted a good "Resident Evil in space" game, like "Project Firestart" for the Commodore 64.
But please don't think I'm not enjoying it. I'd rather play the worst Metroid game than the best game of any other series, and this is not the worst Metroid game. It has its flaws, but overall my biggest gripe is that I just can't find the time to play it.
Monday, July 19, 2010
Predators and Inception
We saw an unlikely combination of movies this weekend, Predators and Inception. Both were great, though obviously very different.
Predators
Predators was awesome. Sullivan spent most of the second period in the penalty box, but he scored three goals in the third. Wait, wrong Predators.
Predators the movie. Right. Well, after the AvP movies, I really wasn't expecting much when I heard they were making a new Predator movie. I knew I'd see it eventually, but I could wait until DVD. Then it actually started getting good reviews, at least in my circle. I'm sure the professional movie critics are blasting it, but they never like the same kinds of films I like anyway.
This is arguably the first good movie of the Predator series. Now, before you start booing me, hear me out. I've always loved the Predator series. I love the creature design, the technology, and the general idea of these creatures that kill us for sport. Alien invasions shouldn't always be about world domination; there has to be other reasons a hostile being might visit a planet.
But, the individual movies themselves... eh, I'm just not as into them as I thought I was. I used to own 1 & 2 on VHS, but rarely watched them. I currently own both of them on DVD, but those discs have never even made it to the player. I just like the idea of them more than the movies themselves. The first Predator was a little too manly for my tastes. The sequel was okay, but very much a sequel for sequel's sake. You know, just more of the same for those who wanted the first movie to be longer. And of course, the AvP movies were fun, mindless action flicks for those who just wanting to see a little blood on a Friday night.
The new movie is similar to the original. They're in a jungle again, and you know the drill from the beginning - they're all going to get killed one by one until someone faces the final boss. However, this is the first one of the series to actually have some decent acting, and a good script.
I think my favorite part is how the movie begins. They could have started with one of the character's backstory on Earth, and shown what he was doing before he was abducted, and so on. But come on, this is a movie for Predator fans! We don't care about exposition, we want to be dropped right into the action.
Okay, make no mistake, it's not Shakespeare. But if I want a good story, I'll wait for the DVD. In the theaters, I want to go on a ride.
Inception
You know how sometimes you're watching a movie, and an entire scene turns out to have been just a dream? Then a bit later, the waking world turns out to be a dream as well? And then, it turns out that you weren't even at the theater today, and you just dreamed you were watching a movie? But after you wake up from that dream, you realize that your entire life has all been just a dream? Inception is kind of like that, except you're also drunk.
Lest you think I'm being negative, it's a rather pleasant sort of drunk, the kind where you lose your inhibitions just enough that you actually experience some sort of clarity (or think you do), and you actually sound smarter to those around you.
I really can't go into the plot without giving away too much, and I'd seriously recommend you avoid reading too many reviews before you see it. Heck, don't even read the review I linked to above. It's one of those plots where the less you know going in, the more you'll enjoy the show. Believe me, it's worth your money, and you don't need to know why first.
You will experience a bit of Fridge Logic when you get home, and the movie's technology is of the "it works because it works" variety. But you'll be too busy counting layers and keeping track of who's mind is doing what to really care about the science.
Go see it.
Predators
Predators was awesome. Sullivan spent most of the second period in the penalty box, but he scored three goals in the third. Wait, wrong Predators.
Predators the movie. Right. Well, after the AvP movies, I really wasn't expecting much when I heard they were making a new Predator movie. I knew I'd see it eventually, but I could wait until DVD. Then it actually started getting good reviews, at least in my circle. I'm sure the professional movie critics are blasting it, but they never like the same kinds of films I like anyway.
This is arguably the first good movie of the Predator series. Now, before you start booing me, hear me out. I've always loved the Predator series. I love the creature design, the technology, and the general idea of these creatures that kill us for sport. Alien invasions shouldn't always be about world domination; there has to be other reasons a hostile being might visit a planet.
But, the individual movies themselves... eh, I'm just not as into them as I thought I was. I used to own 1 & 2 on VHS, but rarely watched them. I currently own both of them on DVD, but those discs have never even made it to the player. I just like the idea of them more than the movies themselves. The first Predator was a little too manly for my tastes. The sequel was okay, but very much a sequel for sequel's sake. You know, just more of the same for those who wanted the first movie to be longer. And of course, the AvP movies were fun, mindless action flicks for those who just wanting to see a little blood on a Friday night.
The new movie is similar to the original. They're in a jungle again, and you know the drill from the beginning - they're all going to get killed one by one until someone faces the final boss. However, this is the first one of the series to actually have some decent acting, and a good script.
I think my favorite part is how the movie begins. They could have started with one of the character's backstory on Earth, and shown what he was doing before he was abducted, and so on. But come on, this is a movie for Predator fans! We don't care about exposition, we want to be dropped right into the action.
Okay, make no mistake, it's not Shakespeare. But if I want a good story, I'll wait for the DVD. In the theaters, I want to go on a ride.
Inception
You know how sometimes you're watching a movie, and an entire scene turns out to have been just a dream? Then a bit later, the waking world turns out to be a dream as well? And then, it turns out that you weren't even at the theater today, and you just dreamed you were watching a movie? But after you wake up from that dream, you realize that your entire life has all been just a dream? Inception is kind of like that, except you're also drunk.
Lest you think I'm being negative, it's a rather pleasant sort of drunk, the kind where you lose your inhibitions just enough that you actually experience some sort of clarity (or think you do), and you actually sound smarter to those around you.
I really can't go into the plot without giving away too much, and I'd seriously recommend you avoid reading too many reviews before you see it. Heck, don't even read the review I linked to above. It's one of those plots where the less you know going in, the more you'll enjoy the show. Believe me, it's worth your money, and you don't need to know why first.
You will experience a bit of Fridge Logic when you get home, and the movie's technology is of the "it works because it works" variety. But you'll be too busy counting layers and keeping track of who's mind is doing what to really care about the science.
Go see it.
Friday, July 09, 2010
Coming Soon: Parody Movie
The original Airplane! is one of the greatest films of all time. As a parody movie, they just don't get any funnier. Not only is the humor clever (if silly), but they cram in a whole lot of it. Almost every scene is worth at least a chuckle. Even if the actors are having a serious conversation, there's always something going on the the background, or at least a funny sign on the wall.
How brilliant is it? Consider this: A large number of viewers don't even realize that the movie is almost a scene-by-scene parody of a movie called "Zero Hour!". They know it's based on some old airplane-related movies, but a lot of Airplane! fans never saw the specific film it spends most of the time mocking.
Yes, Airplane! would be even funnier to someone who's seen Zero Hour!, and actually got all the references they were making. But the humor in Airplane! is so well-done, you don't even need to have seen the source material to get a laugh. How many of Scary Movie's jokes would have still been funny to those who hadn't seen Scream? Hell, how many of Scary Movie's jokes were as funny as Airplane!, even to those who had seen Scream?
After Airplane!, there were very few movies that captured the same magic. Airplane II: The Sequel was almost as perfect, but to be fair, it did use a lot of the same jokes as the original. Top Secret! was also quite good, and remains one of my favorite parody movies. I enjoyed the original Police Squad! TV series, but the Naked Gun movies weren't quite as funny to me. I also like the first Hot Shots! movie a great deal.
But as time goes on, these parody movies just get less and less funny. The "____ Movie" series has its moments, but overall I can't recommend a single one. Instead of gag-a-minute, they seem to go for gag-every-five-minutes (then stretch it out for another 8), and half of those gags are cheap toilet humor. I'm not offended; it's just not funny. (I might not find it funny because I'm not offended, if that makes sense.) That kind of humor is just too easy, and it does nothing for me.
And now we have Vampires Suck:
Argh! I'm not one of those whiny internet critics who cries when Hollywood makes a movie they don't like. I don't mind the existence of bad movies, because usually I can just skip them. But this one annoys me because I want to see it! Granted, there's no shortage of Twilight parodies already out there, and this doesn't even look like one of the better ones. But I like the Twilight series just enough to want to see it parodied as often as possible. I just wish it would be clever! But it won't. But I'll see it anyway. Ugh.
EDIT: Here's a pretty good Cracked article on the subject of bad parodies.
How brilliant is it? Consider this: A large number of viewers don't even realize that the movie is almost a scene-by-scene parody of a movie called "Zero Hour!". They know it's based on some old airplane-related movies, but a lot of Airplane! fans never saw the specific film it spends most of the time mocking.
Yes, Airplane! would be even funnier to someone who's seen Zero Hour!, and actually got all the references they were making. But the humor in Airplane! is so well-done, you don't even need to have seen the source material to get a laugh. How many of Scary Movie's jokes would have still been funny to those who hadn't seen Scream? Hell, how many of Scary Movie's jokes were as funny as Airplane!, even to those who had seen Scream?
After Airplane!, there were very few movies that captured the same magic. Airplane II: The Sequel was almost as perfect, but to be fair, it did use a lot of the same jokes as the original. Top Secret! was also quite good, and remains one of my favorite parody movies. I enjoyed the original Police Squad! TV series, but the Naked Gun movies weren't quite as funny to me. I also like the first Hot Shots! movie a great deal.
But as time goes on, these parody movies just get less and less funny. The "____ Movie" series has its moments, but overall I can't recommend a single one. Instead of gag-a-minute, they seem to go for gag-every-five-minutes (then stretch it out for another 8), and half of those gags are cheap toilet humor. I'm not offended; it's just not funny. (I might not find it funny because I'm not offended, if that makes sense.) That kind of humor is just too easy, and it does nothing for me.
And now we have Vampires Suck:
Argh! I'm not one of those whiny internet critics who cries when Hollywood makes a movie they don't like. I don't mind the existence of bad movies, because usually I can just skip them. But this one annoys me because I want to see it! Granted, there's no shortage of Twilight parodies already out there, and this doesn't even look like one of the better ones. But I like the Twilight series just enough to want to see it parodied as often as possible. I just wish it would be clever! But it won't. But I'll see it anyway. Ugh.
EDIT: Here's a pretty good Cracked article on the subject of bad parodies.
Wednesday, July 07, 2010
The Twilight Saga: Eclipse
I'll skip the usual "abusive relationship" rant. You know, Edward's too controlling, Bella co-dependent, it's anti-feminist, yada yada yada. All the stuff that's a little more forgivable the way it's explained in the books, but even then isn't very healthy. Meh... I agree with a lot of it, but it's all been said, all over the internet. Let's just talk about the movie itself.
A full review would be useless at this point in the series. If you liked the first one enough to see the second one, then you're probably committed to the series. This property is such a "love it or hate it" sort of thing, that my opinion isn't going to persuade anyone.
That said, I didn't really care for it. It had some decent action scenes, and a few funny moments here and there. But... where do I begin? The acting was terrible, most of the dialogue was bland, the historical flashbacks weren't convincing, there were bits of my arch-nemesis the shaky-cam, and it was still 90% shallow angst and hard-to-swallow romance. Oh, and lots of posing: "Hey, let's all stand perfectly still and stare into the woods, it'll look great on a thermos later."
Also, the lighting was bad. Actually, no, the lighting was too good. There were a couple of scenes where it didn't look even remotely overcast, yet Edward was outside in front of muggles, sans sparkle.
I'm not sold on they way they showed vampires getting smashed during the fight scenes, like they were made out of marble. I know the books always described the vamps as being hard like stone, but on film it looked sort of silly. I realize that the good guys were hitting them incredibly hard to make them shatter like that, and it's supposed to make them look even tougher, but it actually made them look kind of fragile. Like if Edward were to fall down the stairs, he would break into a million sparkly pieces.
Anyway, I'm not a Twihard, and I'm not the movie's target demographic. So it's no surprise that I didn't really like it. The action scenes were nice, in fact they were my favorite scenes in the series so far. But everything else was just boring.
However...
To be honest, Twilight-haters are actually annoying me more than the Twilight Saga at the moment. Seriously, don't these people get tired of saying the same things over and over? Not to mention all the critics who obviously only watched the trailers, and the nit-pickers who must have missed large amounts of dialogue. "I hate how Edward is so rude to Bella when he first meets her!" Well, if you'd read the books or at least listened to the dialogue, you'd know why.
I read all four books, telling myself the entire time that I was only reading it so that I'd have ammo to insult it later. But to be honest, I really didn't have a bad time. It's not great, and I don't see how it got to be so popular, but it's not the unreadable rubbish people think it is. And I still respect the opinion of those who love it.
"Oh no! This series that I don't plan to watch or read isn't very good! Since not being into something popular makes me feel stupid, the only way I can cope is to convince other people not to like it! Waah!" Seriously dudes, you need to accept that different people like different things, and that's okay. Repeat after me: "I don't particularly care for (insert name of movie, tv show, sport, video game system, web browser, font, religion, or sexual position), but that doesn't mean it sucks. It just means that it's not for me. I'll let other people enjoy it if they want to."
So... yeah, I think I'll alienate both sides today.
I guess I should be glad that Hollywood finally gave these uncreative, whiny, pathetic, brain-dead losers something to cry about besides the Star Wars prequels. I ranted earlier about people who complain that remakes are ruining their childhood memories. (My opinion: If your memories are that easy to damage, you might want to see a neurologist. Or just don't watch the remakes.) Well, the same idiots are worried that Meyer's sparkly vampires are somehow going to erase all the previous vampire stories from their minds, or that the popularity of this series means that people will stop making non-sparkly vampire movies. Short answer: Quit worrying and grow up.
But most importantly, there are a lot of very intelligent people who happen to enjoy the Twilight series. They don't take it seriously, and they have noticed the same problems with the series that you like to moan about. But for whatever reason, they still enjoy the story. You probably know more of these people than you think, because they're afraid to admit it. You'll get less ribbing coming out of the closet as a transvestite furry LARPer than as an adult Twilight fan. So keep that in mind: when you go off on Twilight, you are insulting your friends. Keep it up, and you won't have any. (And knowing is half the battle.)
As long as we're on the subject of Twilight, I would like to give a free plug for Rifftrax, the best way to enjoy bad movies (and even some good ones). For those who don't know: Do you remember Mystery Science Theater 3000, the show where a guy and two robots made fun of bad sci-fi movies? Well, those same guys are at it again, except now they're riffing mainstream movies.
Since they can't get the rights for these movies as easily, you just buy the audio track with their comments. Simply play the Rifftrax MP3 while watching the DVD, and follow their instructions to sync them.
Well, one of the best Rifftrax is the one for Twilight. You can watch a sample here. I've watched that Rifftrax several times, and it never gets old. They also have one for New Moon, and I'm sure they'll have one for Eclipse the moment it hits DVD.
A full review would be useless at this point in the series. If you liked the first one enough to see the second one, then you're probably committed to the series. This property is such a "love it or hate it" sort of thing, that my opinion isn't going to persuade anyone.
That said, I didn't really care for it. It had some decent action scenes, and a few funny moments here and there. But... where do I begin? The acting was terrible, most of the dialogue was bland, the historical flashbacks weren't convincing, there were bits of my arch-nemesis the shaky-cam, and it was still 90% shallow angst and hard-to-swallow romance. Oh, and lots of posing: "Hey, let's all stand perfectly still and stare into the woods, it'll look great on a thermos later."
Also, the lighting was bad. Actually, no, the lighting was too good. There were a couple of scenes where it didn't look even remotely overcast, yet Edward was outside in front of muggles, sans sparkle.
I'm not sold on they way they showed vampires getting smashed during the fight scenes, like they were made out of marble. I know the books always described the vamps as being hard like stone, but on film it looked sort of silly. I realize that the good guys were hitting them incredibly hard to make them shatter like that, and it's supposed to make them look even tougher, but it actually made them look kind of fragile. Like if Edward were to fall down the stairs, he would break into a million sparkly pieces.
Anyway, I'm not a Twihard, and I'm not the movie's target demographic. So it's no surprise that I didn't really like it. The action scenes were nice, in fact they were my favorite scenes in the series so far. But everything else was just boring.
However...
To be honest, Twilight-haters are actually annoying me more than the Twilight Saga at the moment. Seriously, don't these people get tired of saying the same things over and over? Not to mention all the critics who obviously only watched the trailers, and the nit-pickers who must have missed large amounts of dialogue. "I hate how Edward is so rude to Bella when he first meets her!" Well, if you'd read the books or at least listened to the dialogue, you'd know why.
I read all four books, telling myself the entire time that I was only reading it so that I'd have ammo to insult it later. But to be honest, I really didn't have a bad time. It's not great, and I don't see how it got to be so popular, but it's not the unreadable rubbish people think it is. And I still respect the opinion of those who love it.
"Oh no! This series that I don't plan to watch or read isn't very good! Since not being into something popular makes me feel stupid, the only way I can cope is to convince other people not to like it! Waah!" Seriously dudes, you need to accept that different people like different things, and that's okay. Repeat after me: "I don't particularly care for (insert name of movie, tv show, sport, video game system, web browser, font, religion, or sexual position), but that doesn't mean it sucks. It just means that it's not for me. I'll let other people enjoy it if they want to."
So... yeah, I think I'll alienate both sides today.
I guess I should be glad that Hollywood finally gave these uncreative, whiny, pathetic, brain-dead losers something to cry about besides the Star Wars prequels. I ranted earlier about people who complain that remakes are ruining their childhood memories. (My opinion: If your memories are that easy to damage, you might want to see a neurologist. Or just don't watch the remakes.) Well, the same idiots are worried that Meyer's sparkly vampires are somehow going to erase all the previous vampire stories from their minds, or that the popularity of this series means that people will stop making non-sparkly vampire movies. Short answer: Quit worrying and grow up.
But most importantly, there are a lot of very intelligent people who happen to enjoy the Twilight series. They don't take it seriously, and they have noticed the same problems with the series that you like to moan about. But for whatever reason, they still enjoy the story. You probably know more of these people than you think, because they're afraid to admit it. You'll get less ribbing coming out of the closet as a transvestite furry LARPer than as an adult Twilight fan. So keep that in mind: when you go off on Twilight, you are insulting your friends. Keep it up, and you won't have any. (And knowing is half the battle.)
As long as we're on the subject of Twilight, I would like to give a free plug for Rifftrax, the best way to enjoy bad movies (and even some good ones). For those who don't know: Do you remember Mystery Science Theater 3000, the show where a guy and two robots made fun of bad sci-fi movies? Well, those same guys are at it again, except now they're riffing mainstream movies.
Since they can't get the rights for these movies as easily, you just buy the audio track with their comments. Simply play the Rifftrax MP3 while watching the DVD, and follow their instructions to sync them.
Well, one of the best Rifftrax is the one for Twilight. You can watch a sample here. I've watched that Rifftrax several times, and it never gets old. They also have one for New Moon, and I'm sure they'll have one for Eclipse the moment it hits DVD.
Remakes
I hear this a lot: "What's with all the remakes? Has Hollywood run out of ideas? They're raping my childhood memories!"
I really don't understand why people get so upset about remakes. I guarantee you, they're not going to stop selling the original movie just because a remake comes out. Remakes are not replacements.
Have you ever seen the same play twice, but performed by a different group at a different theater? Did you demand your money back because it wasn't the "real" cast? When you saw Romeo & Juliet, did you demand they resurrect the original actors who performed it in Shakespeare's time?
Personally, I love seeing how different directors & casts handle the same story. I've seen a couple of different productions of "Little Shop of Horrors", and I loved seeing how each one handled the complicated props, especially since they had vastly different budgets. With movies, I love comparing and contrasting the various versions, looking at what choices were made, what they decided to leave out (and theorizing as to why), whether the improved special effects adds to or detracts from the experience, and so on. Yes, some versions will be better than others. I fail to see how that ruins your childhood memories. In my experience, it enhances them. Sure, the Anne Heche version of Psycho was sort of dull and pointless... but it didn't overwrite my memory of the original, and makes me appreciate the old one that much more.
I hear the argument, "that's time they could have spent making an original movie." But do you really think the guy directing the "Fall Guy" movie is doing so because he turned down the next Godfather? I see no evidence that these guys would be cranking out masterpieces if only they weren't wasting their time on remakes. Besides, how often do you see original stories anyway? How many movies have you seen that were really just "Die Hard" but on a boat/plane/space/cave/cabin? Aren't remakes at least more honest?
So I say, bring on the remakes. I want to see a comedy version of Ben Hur. I want to see the cast of Seinfeld perform My Fair Lady. I want to see Star Wars performed in the nude. I want to see a sock puppet version of The Birds. I want to see Jack Black play Atticus Finch. I want to see a version of King Kong performed by chimps, with the only human playing the title role. If I don't like the look of one, I'll skip it, but I won't cry that it got made.
(Okay, I'll admit my examples were tongue-in-cheek. I wouldn't actually pay to see any of those, except possibly the Star Wars one, if only to see how they handle the "disguise themselves as Stormtroopers" scene.)
And I would love it if Hollywood would do the following project: Write one script (one with a lot of room for interpretation), then give it to 10 different directors/casts, and see how the different versions turn out.
I really don't understand why people get so upset about remakes. I guarantee you, they're not going to stop selling the original movie just because a remake comes out. Remakes are not replacements.
Have you ever seen the same play twice, but performed by a different group at a different theater? Did you demand your money back because it wasn't the "real" cast? When you saw Romeo & Juliet, did you demand they resurrect the original actors who performed it in Shakespeare's time?
Personally, I love seeing how different directors & casts handle the same story. I've seen a couple of different productions of "Little Shop of Horrors", and I loved seeing how each one handled the complicated props, especially since they had vastly different budgets. With movies, I love comparing and contrasting the various versions, looking at what choices were made, what they decided to leave out (and theorizing as to why), whether the improved special effects adds to or detracts from the experience, and so on. Yes, some versions will be better than others. I fail to see how that ruins your childhood memories. In my experience, it enhances them. Sure, the Anne Heche version of Psycho was sort of dull and pointless... but it didn't overwrite my memory of the original, and makes me appreciate the old one that much more.
I hear the argument, "that's time they could have spent making an original movie." But do you really think the guy directing the "Fall Guy" movie is doing so because he turned down the next Godfather? I see no evidence that these guys would be cranking out masterpieces if only they weren't wasting their time on remakes. Besides, how often do you see original stories anyway? How many movies have you seen that were really just "Die Hard" but on a boat/plane/space/cave/cabin? Aren't remakes at least more honest?
So I say, bring on the remakes. I want to see a comedy version of Ben Hur. I want to see the cast of Seinfeld perform My Fair Lady. I want to see Star Wars performed in the nude. I want to see a sock puppet version of The Birds. I want to see Jack Black play Atticus Finch. I want to see a version of King Kong performed by chimps, with the only human playing the title role. If I don't like the look of one, I'll skip it, but I won't cry that it got made.
(Okay, I'll admit my examples were tongue-in-cheek. I wouldn't actually pay to see any of those, except possibly the Star Wars one, if only to see how they handle the "disguise themselves as Stormtroopers" scene.)
And I would love it if Hollywood would do the following project: Write one script (one with a lot of room for interpretation), then give it to 10 different directors/casts, and see how the different versions turn out.
Saturday, May 01, 2010
My D&D Blog
I'm moving most of my D&D-related entries over to my Campaign Journals blog. Partly because I know it bores most of my regular readers (*snicker* "regular readers" heh), and partly just so I can have everything in one place.
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